Recording 2017.08.31 … Theme, work in progress

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Back Heel Goal (Pes 2017)

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Galactic Imperium ft. Moog, Korg and Nexus

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Cassini’s Death

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Piano and Strings

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The Menu

Shot with Lumia 950 XL. DNG format. Processed with Silver Efex Pro 2 and TrueGrain

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Collégiale Saint-Aubin de Guérande – Lumia 950 XL DNG power

Shot with Lumia 950 XL. DNG format. Processed with Lightroom 5

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Alien Flora

WP_20170719_12_22_33_Raw__highres_rawerShot with Lumia 950 XL. Processed with Rawer.

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Le Mont Saint Michel

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Shot with Lumia 950 XL

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Farpoint – Requiem

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De Windhond

Shot with Lumia 950 XL. RAW processed with Lightroom 5, Silver Efex Pro 2 and TrueGrain (Soest, 2017)

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Nothing, Everything and Light … the true ‘Holy Trinity’

Expanding on and merging 2 of my previous posts,  The (correct) God Formula and C, the Speed of Light (Spiritual Physics) leads me to conclude the following

N – Nothing
E – Everything

and

C, light, having the following qualities

The Internal quality of C = No Time, No Space
The External quality of C = Time and Space

N, E and C merged together leads to

N – Nothing = No Time, No Space = The Internal quality of C
E – Everything = Time and Space = The External quality of C

C is the binding element of N and E
C connects Nothing with Everything
C is the coin with 2 sides, N and E

The World as we know it is E, is Everything, is the external quality of C
But unseen, within, is N, Nothing, the internal quality of the same C

This is the true ‘Holy Trinity’

N – E – C

As Everything implies Creativity it follows that C, light, is Creativity itself
Creativity = Light, Light = Creativity

~ Max

Buddha Union by Vishnu108

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Farpoint + Aim = Instant classic 10/10 game for PSVR

Farpoint + Aim defines the future for FPS in VR. It paves the way for FPS VR. It shows FPS VR can be done. It is the ‘Quake of VR’. Story? Did Quake have a story? Did Quake need a story to become a game legend? Nope. Anyway, Farpoint has an acceptable story. But it isn’t about a story. It is about opening the gates to FPS in VR. In this respect it is an instant classic. It will be remembered, not for the story but for the impact it made on VR. Farpoint + Aim do so much new stuff, it’s simply incredible. With it we set foot on another gaming continent. The FPS VR world. And with it comes discoveries and mapping of this unknown FPS VR territory. Farpoint + Aim is synonym for gaming history in the making … and I was there. I bought it day 1. Because I wanted to be part of it. Glad I did. Farpoint + Aim … I love you!

Video below contains spoilers!

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Farpoint + Aim (Playstation VR)

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Brussels 2017 ft. Mr. Oizo’s Flat Beat

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Atomium

The Atomium in Brussels shot with Nikon D5100 + Sigma 17-50mm F2.8 EX DC (OS) HSM | Camera settings: 17 mm, f/11, ISO 100, 1/500 sec, 0.00 eV | RAW processed with Lightroom 5 (Brussels, 2017)

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I’m sold on stars, stripes, squares and dots

Shot with Canon S95, 22.5 mm, 1/60 sec, f/4.9 ISO 400, -0.33 eV, RAW, Lightroom 5, TrueGrain (2012, Cap d’Agde, France)

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I Fisheye

Shot with Nikon D60 + AF-S DX NIKKOR 35 mm f/1.8G | Camera settings: 35 mm, 1/4000 sec, f/4, ISO 320, 0.00 eV | RAW processed with Lightroom 5 (2017)

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The Forest

Shot with Nikon D5100 + AF-S DX NIKKOR 18-55 mm f/3.5-5.6G VR | Camera settings: 18 mm, f/6.3, ISO 400, 1/160 sec, 0.00 eV | RAW processed with Lightroom 5 and Silver Efex Pro 2 (2013, Castres, France)

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Cathédrale Sainte-Cécile d’Albi

Shot with Nikon D5100 + AF-S DX NIKKOR 18-55 mm f/3.5-5.6G VR | Camera settings: 18 mm, f/3.5, ISO 800, 1/30 sec, -1.67 eV | RAW processed with Lightroom 5 (2013, Albi, France)

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